Bach Bibliography
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Williams, Peter F.:   J. S. Bach and English Organ Music. MLetters 44/2 (Apr 1963), 140-151.
2. Williams, Peter F.:   Bach at Edinburgh. MTimes 104/1449 (Nov 1963), 815.
3. Williams, Peter F.:   Bach Thoughts from Edinburgh. MTimes 106/1472 (Oct 1965), 771-772.
4. Williams, Peter F.:   The European Organ 1450-1850. London: Batsford, 1966. 336p. - 3/1978. ISBN: 0713407530.
5. Williams, Peter F.:   The Harpsichord Acciaccatura: Theory and Practice in Harmony, 1650-1750. MQ 54/4 (Oct 1968), 503-523.
6. Williams, Peter F.:   Basso continuo on the Organ. MLetters 50/1, 2 (Jan; Apr 1969), 136-152; 230-245.
7. Williams, Peter F.:   Figured Bass Accompaniment. Edinburgh: Edinburgh University Press, 1970. in 2 vols. [8], 117p; [6],131p. ISBN: 0-85224-054-6; 0-85224-055-4
8. Williams, Peter F.:   The Organs of Saxony. MTimes 111/1533 (Nov 1970), 1141-1143.
9. Williams, Peter F.:   The French Silbermann. MTimes 112/1535 (Jan 1971), 77-78.
10. Williams, Peter F.:   Bach Organ Music. London: British Broadcasting Corporation, 1972. R/1974. 71p. ISBN: 0563103485. - Seattle: University of Washington Press, [1972]. ISBN: 0295951990. (= BBC music guide, 20) [contents]
11. Williams, Peter F.:   Bach Recitatives. MTimes 115/1579 (Sep 1974), 747. Letters to the Editor.
12. Williams, Peter F.:   Bach's Seven Fughette. MTimes 116/1589 (Jul 1975), 653, 655, 657. The Organists' Repertory - 19.
13. Williams, Peter J.:   The performance of dotted rhythms and upbeat figures in J. S. Bach with particular reference to his organ music. diss. (1977) MA diss., University of Leeds, 1977.
14. Williams, Peter F.:   Why do we need a new book on Bach's Organ Music? MReview 38/4 (1977), 249-257.
15. Williams, Peter F.:   Figurenlehre from Monteverdi to Wagner. 1: What is 'Figurenlehre'? MTimes 120/1636 (Jun 1979), 476-479.
16. Williams, Peter F.:   Figurenlehre from Monteverdi to Wagner. 2: The chromatic 4th continued. MTimes 120/1637 (Jul 1979), 571-573.
17. Williams, Peter F.:   Figurenlehre from Monteverdi to Wagner. 3: The suspirans. MTimes 120/1638 (Aug 1979), 648-650.
18. Williams, Peter F.:   Figurenlehre from Monteverdi to Wagner. 4: 'Orfeo' and 'Meistersinger'. MTimes 120/1640 (Oct 1979), 816-818.
19. Williams, Peter F.:   A New History of the Organ from the Greeks to the Present Day. London: Faber & Faber; Bloomington, Indiana, 1980. 233p
20. Williams, Peter F.:   The Organ Music of J. S. Bach. II: Works based on Chorales (BWV 599-771 etc.) Univ. press Cambridge 1980, x, 357p.
21. Williams, Peter F.:   The Organ Music of J. S. Bach. I: Preludes, Toccatas, Fantasias, Fugues, Sonatas, Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 etc). Univ. press Cambridge 1980, 365p.
22. Williams, Peter F.:   BWV 565: A toccata in D minor for Organ by J.S. Bach? EarlyM 9/3 (Jul 1981), 330-337.
23. Williams, Peter F.:   The Musical Aims of J. S. Bach's 'Clavierübung III'. [gs]Dart (1981), 259-278.
24. Williams, Peter F.:   J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? BachJb 68 (1982), 131-142. Summary in English (p.174), French (p.176), Russian (p.178) and Czech (p.180).
25. Williams, Peter:   French Elements in Bach. [cr]McGill1981 (1982), 13-19.
26. Williams, Peter F.:   Need Organists Pay Attention to Theorists of Rhetoric? Diapason 73/ 4:869 (Apr 1982), 3-4.
27. Williams, Peter F.:   Suggestions for Playing the Works of J. S. Bach--I. AmerOrganist(2) 17/ 1 (Jan 1983), 45-47.
28. Williams, Peter F.:   Suggestions for Playing the Works of J. S. Bach-II. Harpsichord versus Organ in Six Trio Sonatas. AmerOrganist(2) 17/ 3 (Mar 1983), 50-52.
29. Williams, Peter F.:   Suggestions for Playing the Works of J. S. Bach--III. BWV 565: A Toccata in d Minor for Organ by J. S. Bach? AmerOrganist(2) 17/ 9 (Sep 1983), 42-47.
30. Williams, Peter F.:   The Snares and Delusions of Musical Rhetoric: Some Examples from recent writings on J. S. Bach. BaslerJbHistMpraxis [Sonderband] (1983), 230-240.
31. Williams, Peter F.:   J. S. Bach's Well-tempered Clavier: A new approach. EarlyM 11/1, 3 (Jan, Jul 1983), 46-52; 332-339.
32. Williams, Peter F.:   The Organ Music of J. S. Bach. III: A Background. Univ. press Cambridge 1984, 309p.
33. Williams, Peter F.:   Suggestions for Playing the Works of Bach--IV. Motifs in the Passacaglia. AmerOrganist(2) 18/ 2 (Feb 1984), 38-39.
34. Williams, Peter F.:   Suggestions for Playing the Works of Bach--V. Motifs in the Orgelbüchlein. AmerOrganist(2) 18/ 9 (Sep 1984), 44-45.
35. Williams, Peter F.:   J. S. Bach: Mass in B minor. EarlyM 12/1 (Feb 1984), 137,139,141. Recordings.
36. Williams, Peter F.:   Bach's G minor Sonata for viola da gamba and harpsichord BWV 1029: A seventh Brandenburg Concerto? EarlyM 12/3 (Aug 1984), 345-354.
37. Williams, Peter F.:   Some Tercentenary Questions for the Performer. AmerOrganist(2) 19/ 1 (Jan 1985), 42-46.
38. Williams, Peter F.:   Suggestions for Playing the Works of Bach--VI: The Larger Chorals of Clavier-übung III. AmerOrganist(2) 19/ 2 (Feb 1985), 56-57.
39. Williams, Peter F.:   Suggestions for Playing the Works of Bach--VII: The Smaller Pieces of Clavier-übung III. AmerOrganist(2) 19/ 3 (Mar 1985), 118-119.
40. Williams, Peter F.:   Suggestions for Playing the Works of Bach--VIII: Certain Early Preludes and Fugues: BWV 531 and 549. AmerOrganist(2) 19/ 4 (Apr 1985), 82-84.
41. Williams, Peter F.:   Suggestions for Playing the Works of Bach--IX: The Italian music. AmerOrganist(2) 19/ 5 (May 1985), 74-75.
42. Williams, Peter F.:   Suggestions for Playing the Works of Bach--X: The Transcriptions. AmerOrganist(2) 19/ 6 (Jun 1985), 44-46.
43. Williams, Peter F.:   Suggestions for Playing the Works of J. S. Bach--XI: Chorale Fughettas. AmerOrganist(2) 19/ 7 (Jul 1985), 56-58.
44. Williams, Peter F.:   Suggestions for Playing the Works of Bach--XII: Stylistic Allusions in Certain Mature Preludes. AmerOrganist(2) 19/ 8 (Aug 1985), 38-40.
45. Williams, Peter F.:   Suggestions for Playing the Works of J. S. Bach--XIII: Manual Changing in Certain Fugues. AmerOrganist(2) 19/ 9 (Sep 1985), 62-64.
46. Williams, Peter F.:   Suggestions for Playing the Works of Bach--XIV: Dividing Solo Lines Between the Hands; Clues to Articulation? AmerOrganist(2) 19/10 (Oct 1985), 117-119.
47. Williams, Peter F.:   Suggestions for Playing the Works of Bach--XV: Some Issues Raised in Certain Early Chorales. AmerOrganist(2) 19/11 (Nov 1985), 91-93.
48. Williams, Peter F.:   Suggestions for Playing the Works of Bach--XVI: More Organ Works by J. S. Bach? AmerOrganist(2) 19/12 (Dec 1985), 60-62.
49. Williams, Peter F.:   'Figurae' in the Keyboard Works of Scarlatti, Handel and Bach: An Introduction. [ce]BHSTercentenaryEssays (1985), 327-346.
50. Williams, Peter F.:   Bach, Handel, Scarlatti Tercentenary Essays. Cambridge: Cambridge Univ. Press 1985. xiv, 363p. [contents]
51. Williams, Peter F.:   Johann Sebastian Bachs Sonate in g-moll (BWV 1029)... ein siebtes Brandenburgisches Konzert? Concerto 2/4 (Jun 1985), 41-48.
52. Williams, Peter F.:   Was Johann Sebastian Bach an Organ Expert or an Acquisitive Reader of Andreas Werckmeister? JAmerMInstrSoc 11 (1985), 38-54.
53. Williams, Peter F.:   Encounters with the Chromatic Fourth ... or, More on Figurenlehre. MTimes 126/1707-1708 (May-Jun 1985), 276-278; 339-343.
54. Williams, Peter F.:   New Bach? [on recently discovered chorales] MTimes 126/1710 (Aug 1985), 452. Letters to the Editor.
55. Williams, Peter F.:   Bach's Organ Chorales from the Neumeister Collection. First Edition and Recordings. A Feature Review. AmerOrganist(2) 20/ 6 (Jun 1986), 63-64.
56. Williams, Peter F.:   Noch einmal: J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? BachJb 72 (1986), 123-125. Kleine Beiträge.
57. Williams, Peter F.:   The Snares and Delusions of Notation: Bach's Early Organ Works. [ce]JSBOrganist (1986), 274-294.
58. Williams, Peter F. (ed.):   Musicalisches Opfer, BWV 1079 / Johann Sebastian Bach. Hrsg. v. Peter Williams. [Studienpartitur] - London [u.a.]: Eulenburg, c1986. xxxviii, 51p. Best.-Nr. Ed. Eulenburg 1390. Pl.-Nr. EE 6756. ISMN: M-2002-1111-5. [BWV 1079]
59. Williams, Peter F. (ed.):   Kunst der Fuge / Johann Sebastian Bach. Ed. by Peter Williams. [Studienpartitur] - London [u.a.]: Eulenburg, c1986. xlvi, 138p. Best.-Nr. Ed. Eulenburg 1391. Pl.-Nr. EE 6755. [BWV 1080]
60. Williams, Peter F.:   The Acquisitive Minds of Handel & Bach: Some Reflections on the Nature of 'Influences' [fs]Fisk (1986), 267-282.
61. Williams, Peter F.:   Hints for performance in J. S. Bach's 'Clavierübung' prints. EarlyKeyboardJ 5 (1986-87), 29-44.
62. Williams, Peter F.:   Playing the organ works of Bach: Some case studies. New York: American Guild of Organists, 1987. 128p. [collection of essays first appeared in The American Organist during 1983-85]
63. Williams, Peter F.; Owen, Barbara:   The Organ. Macmillan, 1988. 438p. ISBN: 0-393-02555-1; 0-393-30516-3. (= New Grove Musical Instruments)
64. Williams, Peter F.:   2/4 Time and J. S. Bach. [p]AMS_Southeast (Mar 1988) A paper read at the Southeast Chapter meeting of the American Musicological Society on 19 March 1988 at Duke University.
65. Williams, Peter F.:   French overture conventions in the hands of the young Bach and Handel. BachStud 1 (1989), 183-193.
66. Williams, Peter F.:   A chaconne by Georg Böhm: a note on German composers and French styles. EarlyM 17/1 (Feb 1989), 43-54.
67. Williams, Peter F.:   Two case studies in performance practice and the details of notation: 1. J. S. Bach and 2/4 Time. EarlyM 21/4 (Nov 1993), 613-622.
68. Williams, Peter F.:   Johann Sebastian Bach and the Basso Continuo. BaslerJbHistMpraxis 18 (1994), 67-86.
69. Williams, Peter F.:   Two case studies in performance practice and the details of notation: 2: J. S. Bach and left-hand-right-hand distribution. EarlyM 22/1 (Feb 1994), 101-113. [BWV 534/1; 572; 553; 541; 548; 566; 572; 739; 829]
70. Williams, Peter F.:   Towards a close reading of Carl Philipp Emanuel Bach. FestschriftSer 13 (1994), 143-156.
71. Williams, Peter F.:   Két esettanulmány az elõadói gyakorlat és a notáció részleteinek témakörébõl; 1. J. S. Bach és a 2/4 metrum; 2. J. S. Bach és a balkéz-jobbkéz megosztás. BachTanulmanyok 4 (1995), 5-41; 25-41. [Zwei Fallstudien über Aufführungspraxis und Notation. Übers. aus dem Engl. Katalin Komlós] Latin 2
72. Williams, Peter F.:   Johann Sebastian Bachs Orgelwerke 1. Präludien, Toccaten, Fantasien, Fugen, Sonaten, Concerti und Einzelwerke. Aus dem Englischen von Gudrun Budde. - Mainz: Schott Musik International, 1996. 441p.
73. Williams, Peter F.:   Orugan Kyoku. [ce]BachJiten (1996), 294-298. [Organ Music]
74. Williams, Peter F.:   Considérations sur la nouvelle mesure à 2/4 au début du XVIIIe siècle. [cr]Metz1994 (1996), 85-98. [Reflections on the emergence of the 2/4 meter in the early 18th century]
75. Williams, Peter F.:   J.S. Bach y el compás de 2/4. Quodlibet 5 (Jun 1996), 3-18. [J.S. Bach and the 2/4 time signature] Trans. by Gago, Luis Carlos
76. Williams, Peter F.:   The Chromatic Fourth. During Four Centuries of Music. New York: Oxford Univ. Press, 1998. 272p. ISBN: 0-19-816563-3.
77. Williams, Peter F.:   Johann Sebastian Bachs Orgelwerke. Band 2: Choralbearbeitungen. Aus dem Englischen von Gudrun Budde. - Mainz: Schott Musik International, 1998. 476p. ISBN: 3-7957-1854-6
78. Williams, Peter F.:   Some thoughts on Italian elements in certain music of Johann Sebastian Bach. Recercare 11 (1999), 185-198.
79. Hurford, Peter; Williams, Peter F.:   Approaches to Bach Performance and Scholarship, then, now, next Lecture given at 'Bach Artist Craftsman Harmonist': An International Celebration of the Music of J. S. Bach 1685-1750, London & St Albans 26 November - 2 December 2000
80. Williams, Peter F.:   Johann Sebastian Bachs Orgelwerke. Band 3: Liturgie, Kompositionstechnik, Instrumente und Aufführungspraxis. Aus dem Englischen von Caroline Schneider-Kliemt. - Mainz: Schott, 2000. 365p. ISBN: 3-7957-1855-4.
81. Williams, Peter F.:   Playing and studying Bach: Where next? BIOSJ 24 (2000), 80-92.
82. Williams, Peter F.:   Are we any closer to understanding Bach, the organist and organ-composer? [ce]IAOMillenniumBook (2000), 1-14.
83. Williams, Peter F.:   Witting and Unwitting Allusion in Certain Keyboard Music of J. S. Bach. MQ 84/4 (Winter 2000), 756-775. Texts and Contexts.
84. Williams, Peter F.:   Stop Press: Some questions about JS Bach and his organ music. MTimes 141/1870 (Spring 2000), 34-40. Peter Williams addresses some basic assumptions underlying our understanding of a canonical corpus.
85. Williams, Peter F.:   Sui generis: some fashionable uses to which Bach is put. MTimes 141/1871 (Summer 2000), 8, 10, 12-15.
86. Williams, Peter F.:   Decoding Bach 2: Clouds of witness. MTimes 141/1872 (Autumn 2000), 13-15.
87. Williams, Peter:   The International Organ Competition, Leipzig, July 2000. OrganistsReview 86/4: 340 (Nov 2000), 336-337.
88. Williams, Peter F.:   Further on Changing Manuals in Works of J. S. Bach. OrganYb 29 (2000), 75-90.
89. Williams, Peter F.:   J. S. Bach y la distribución entre las manos derecha e izquierda. Quodlibet 18 (Oct 2000), 68-84. [J.S. Bach and left-hand--right-hand distribution] Trans. by Paul S. McLaney.
90. Williams, Peter F.:   Bach: The Goldberg Variations. Cambridge: Cambridge Univ. Press, 2001. 101p. ISBN: 0-521-80735-2; 0-521-00193-5. (= Cambridge music handbooks) [contents]
91. Williams, Peter F.:   Recent questionable approaches to J. S. Bach. [fs]Tagliavini70 (2001), 553-572.
92. Williams, Peter F.:   The Organ Music of J. S. Bach. Second Edition. Cambridge: Cambridge Univ. Press, 2003. x, 624p. ISBN: 0521814162.
93. Williams, Peter F.:   Is there an anxiety of influence discernible in J. S. Bach's 'Clavierübung I'? [ce]KeyboardInBaroqueEurope (2003), 140-156.
94. Williams, Peter F.:   Some further Thoughts. DortmundBachF 6 (2003), 371-388.
95. Williams, Peter F.:   The Life of Bach. Cambridge Univ. Press, 2004. viii, 219p. ISBN: 0-5221-82636-5 / 0-521-53374-0. (= Musical Lives)
96. Williams, Peter F.:   Public Executions and the Bach Passions. BachNotesABS 2 (Fall 2004), 1-4. http://www.americanbachsociety.org/Newsletters/BachNotes02.pdf
97. Williams, Peter:   Some remarks on organs, organ-playing and the studying of music. BIOSJ 28 (2004), 6-25. [Headings in the article: A Bach testimonial [of Altnickol and Krebs]; Some early English attitudes; Some comparisons: England and Baroque France; A further comparison: Baroque Germany; Some general remarks on curricula]
98. Williams, Peter F.:   More on the question, Is there a 'Toccata and Fugue in D minor for Organ' by J. S. Bach? OrganYb 33 (2004), 139-143.
99. Williams, Peter F.:   Some observations on three keyboard-composers: Frescobaldi, J.S. Bach and Domenico Scarlatti. [fs]Owen (2005), 53-71.
100. Williams, Peter:   Tuning and Temperament. (An excerpt from Peter Williams' J.S. Bach: A Life in Music, Cambridge University Press, 2007, pp. 333-338) http://www.bach-cantatas.com/Articles/WilliamsTuning.pdf
101. Williams, Peter F.:   J.S. Bach: A Life in Music. Cambridge: Cambridge University Press, 2007. xi, 405p. ISBN: 0-521-87074-7. - 2nd ed. 2012. xi, 405p. ISBN: 978-0-521-30683-6.
102. Williams, Peter F.:   The music of J.S. Bach: excerpts from the writings of Peter Williams. [fs]Williams70 (2007), 371-381.
103. Williams, Peter F.:   Again: Was J.S. Bach an expert on organs? OrganYb 36 (2007), 86-105.
104. Williams, Peter F.:   Can editions of Bach or Scarlatti be entirely trusted? RCOJ 1 (2007), 18-28.
105. Williams, Peter F.:   J. S. Bach: Ein Leben in der Musik. Aus dem Engl. von Clemens Brunn. - Berlin: Osburg Verlag, 2008. 575p. ISBN-10: 3-940731-08-0; ISBN-13: 978-3-940731-08-1.
106. Williams, Peter F:   Was J. S. Bach an expert on organs? BibDeputStoriaUmbria 6 (2008)
107. Williams, Peter F.:   Johann Sebastian Bach's ideal organ. OrganistsReview 94/2 (May 2008), 7-13.
108. Williams, Peter:   Two new editions of Bach's organ music: some questions arising. OrganYb 41 (2012), 183-212. Review Article.
109. Williams, Peter:   On Bach and the Organ. [p]ABS_Rochester (Sep 2012) A keynote paper read at the biennial meeting of the American Bach Society 'Bach and the Organ' held at the Eastman School of Music in Rochester, NY, 27-30 September 2012.
110. Williams, Peter F.:   Frescobaldi's Fiori musicali and Bach. Recercare 24/1-2 (2012)
111. Williams, Peter:   What is it to Write a Biography of J. S. Bach? Bach 45/1 (2014), 1-14.
112. Williams, Peter:   Bach and the organ. MTimes 155/1926 (Spring 2014), 81-94.
113. Williams, Peter:   Bach: A Musical Biography. Cambridge: Cambridge University Press, 2016. xiv, 704p. ISBN 978-1-107-13925-1.
114. Williams, Peter F.:   Another book on JS Bach? MTimes 157/1934 (Spring 2016), 5-18.
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